Higurashi NEW is an almost absurdly faithful remake of the 2006 series’ first episode, from the scenes to the music, with a new coat of paint on top. Its comedy segments can be a tough sit, but its atmospheric ending still has the punch to hook you into its conspiracy. If it keeps being so faithful it’s going to hit some poorly aged bits, but it’s too soon to tell on that front.
Chiaki, Lizzie, and Mercedez take a look back at Studio TRIGGER’s over-the-top furry rights anime, BNA!
As somebody who has witnessed repeatedly the failure of would-be individual saviors to undo entire oppressive systems, I want to try to come to a deeper understanding than what is afforded on the surface by Rebellion’s final twist. What happens when hope is institutionalized? How do oppressive ideologies shape the worlds we can imagine? And the question that has haunted me most: if in the moment we destroyed an oppressive world we were given the full power to create a new one before we had any time to heal, would we like what we make?
Irodori Comics launched an all-ages online doujinshi store featuring LGBTQ+ works. AniFem asked its editor to talk about the company’s future plans.
It’s quickly becoming clear that these resource posts can’t encompass every dire event going on, even focusing mainly on the United States. But hopefully it gives you a starting place to stay informed.
Balancing our responsibility to increase accessibility with the uncertainties of 2020, we’re launching an Extremely Chill Fundraiser to fund podcast transcripts and help meet the needs of our AniFam. This drive comes in two parts: one to cover future podcast transcripts, and another to cover the transcript backlog (episodes 76-125).
Although marketed toward boys, at least one third of Weekly Shonen Jump’s readers are now female. Despite this, Shonen Jump’s female characters remain over-sexualized, helpless, or useless beyond serving a role as the main character’s love interest. The manga and anime world has not yet caught up with the times by creating female characters that are both realistic and sympathetic to their real-world counterparts, and as prominent and important as their male costars. If one in three readers are female, why are female characters still relegated to the sidelines?
Vrai, Megan, and Marion reach the finale of Glass Mask and talk about the history of disability drag in acting, the (still running) manga, and their feelings on the series overall.
Psycho-Pass’ villains are heinous in their own right, but they exist to also criticize the larger failure of a deeply flawed justice system.
Carole and Tuesday are just two girls dreaming of becoming musicians. While the series initially follows the girls’ rise to stardom, the focuses shifts to examine how music can fight back against oppression, but leads to a simple and unsatisfying ending.
Your Lie in April has high ratings on almost all of the major anime databases. Unfortunately, I, the Feminist Killjoy, am here to say that Arima has an Oedipus complex and Kaori is a Manic Pixie Dream Girl.
If I feel invisible, then I turn invisible. If I feel conflicted about myself, I split into two people. If I suffer from verbal bullying, then I wake up with cuts and scrapes all over my body. This is Adolescence Syndrome, the key concept behind Rascal Does Not Dream of Bunny Girl Senpai, which the series uses to explore various social anxieties and mental health issues that can affect young people but which often go unnoticed.
