SSSS.DYNAZENON – Episode 1
While fans of SSSS.GRIDMAN will immediately recognize the director/writer duo’s signature style, this premiere is perfectly friendly (and perfectly gorgeous-looking) for newcomers to the Gridverse.
While fans of SSSS.GRIDMAN will immediately recognize the director/writer duo’s signature style, this premiere is perfectly friendly (and perfectly gorgeous-looking) for newcomers to the Gridverse.
A quiet, not-quite pretentious historical horror drama that is extremely My Brand.
What are your thoughts on alternate histories? Historical fantasies? How about umbrella crossbows, organ-playing snakemen, and mahou murder girls?
I hated Koikimo, and I’m going to hold fast to that because there’s no world in our infinite galaxy—not any culture on this planet, including Japan—where an adult pursuing a child is okay.
Caitlin, Dee, and Mercedez explore CLAMP’s foray into battle shounen, the fighting robot series Angelic Layer!
When your cries are constantly dismissed under thinly veiled apologies, it can be hard to feel seen or heard, but that is exactly what happened when I stumbled upon From the New World, the anime adaptation of Kishi Yusuke’s novel by the same name. I ventured into the series expecting a casual sci-fi horror but was instead met with a much deeper allegory for discrimination that paralleled my feelings of being a minority in America.
From their first appearance disguised as a young woman to their dangly earrings and lilting English dub performance, Orochimaru carries many of the unfortunate hallmarks of a queer-coded antagonist, one whose most terrifying power includes the ability to inhabit the bodies of others in a bid for eternal life. Their portrayal, already mired in queerphobia, is complicated by the franchise’s later decision to portray Orochimaru as a character with a non-binary gender identity, the first canonically LGBTQ+ character in the franchise.
Of all the amazing things about the show, one of the most striking to me was the revolutionary way it portrayed the intersection of queer and Slavic identity.
I often want to share a cool story after reading it, but, as an avid reader of doujinshi, I find few outlets where I can share that passion. For all the interesting work indie publications can harbor, they are largely inaccessible to non-Japanese markets, making it difficult to share my passion with English fans.
While Kill la Kill was all about clothes and the way commodification objectifies bodies, it missed the opportunity to talk about the rich history of rebellion using fashion. And moreover, it failed to interrogate the real villains running the show.
You wouldn’t expect an otome game like Code:Realize to have themes that resonate so strongly with common queer experiences. In many ways, the game follows genre conventions, with a heterosexual romance story following a singular heroine and a cast of attractive men. Yet it spoke to me, an enby transgender man, by exploring themes of inner discovery, found family, and self-love.