Shoot! Goal to the Future – Episode 1
A spin-off of a beloved 90s series that can’t capture the same magic.
A spin-off of a beloved 90s series that can’t capture the same magic.
Much like ghosts, you’ll either believe in Phantom of the Idol or you’ll ignore it ratling around in the background due to its pretty okay premiere that, while not polarizing, doesn’t wow like some of Summer 2022’s other options.
A stunning, action packed three-episode premiere that welcomes fans int he know with welcome arms, but risks isolating newcomers with no prior knowledge of the series.
Miscommunication as narrative conflict is often linked with contrivance and bad writing—and no genre faces this criticism more than romance. That’s what makes Yuri is My Job! so refreshing. In the process of building a will-they-won’t-they story, it explores the gendered, neurotypical, and heteronormative expectations that are built into social interaction.
We wanted to give everyone a heads-up on an upcoming Patreon adjustment. Beginning July 1, we will be adjusting the perks available in each of our tiers.
Holo and Lawrence’s relationship is initially held back by the circumstances upon which they first meet, rendering Holo as an owned object rather than an equal companion and stifling both leads’ feelings behind layers of performative inauthenticity. Part of the appeal of Spice and Wolf is watching these two characters overcome the gendered norms of their medieval setting, as well as their own personal flaws, to achieve an emotional reciprocity that is narratively satisfying.
Spy x Family is a great example of how a story might have queer resonances and queer themes even if it cannot be classed as queer fiction.
Vrai, Mercedez, Chiaki, and special guest Diana check in on the kids one last time, grit their teeth through some tragic lesbians, and give a warm send-off to this powerful classic.
The Disastrous Life of Saiki K is a hilarious supernatural comedy in which a cast of teenagers tries to live ordinary lives amidst extraordinary shenanigans. The female characters are three-dimensional and compellingly written, often just as expressive, funny and absurd as the boys. Although this potential is often well-utilized, narratives on the show that involve male attraction often sacrifice the depth of the girls, for the sake of sexualized scenes and lazy punchlines.
When I first watched Love, Chuunibyou and Other Delusions I had no idea what “chuunibyou” was, but the anime quickly made me think: I was definitely a chuunibyou as a kid! While not a form of mental divergence in and of itself, I contend that for neurodiverse kids, chuunibyou can be a coping mechanism.
The roles and characterization of main characters Balsa, Tanda, and Prince Chagum make gender equality seem natural, and therefore powerful, even if their story takes place in a patriarchal system.
While many people can maintain a healthy relationship with them as entertainment personalities, others developed an unhealthy level of parasocial attachment, particularly to the female creators. These parasocial fans have caused incident after incident, making the space unsafe to VTubers and the audience alike, and are even suspected to have caused some of them to “graduate,” or retire from streaming. The most infamous of those incidents is the case of Kiryu Coco.