Fluffy Paradise – Episode 1
Fluffy Paradise is… fluffy. This isn’t even remotely uncommon in isekai, but generally that subtype doesn’t start with God giving the protagonist the mission to determine whether humanity is unsalvageably racist.
All Articles
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Scholars Kim Hanjae and Kim Jongik on sharing manhwa globally
2023 was the first year Otakon invited guests who create and study manhwa, and the two guests were eager to discuss the process of bringing awareness to manhwa as an artform, using the newfound popularity of webtoons as a way to introduce English-language fans to the history of the medium.
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The wasted potential of Death Note’s women
In the hands of a writer who isn’t so brazenly disinterested in writing them, the women of Death Note—Misa, especially—easily have the potential to be the most interesting characters in the deeply iconic series. But as it stands, they’ve been massively shortchanged by writing that presents plenty of fascinating story elements for them, but that never get explored.
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Chatty AF 197: Scott Pilgrim Takes Off Retrospective (WITH TRANSCRIPT)
Alex, Caitlin, and Toni talk the new Scott Pilgrim Takes Off anime, how it stacks up for newcomers, and how it gels as a new take on the almost 20-year-old comic.
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Love Y’all: Lonely catgirl seeks decently written anime polycule
While there is a rise in polyamorous romance in Japanese anime and manga, I must regretfully report we still have a ways to go.
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Transmasculinity and queer sexuality in the works of Ikeda Riyoko
Unlike many other gender-bending stories of the time, which often fall back on a “born in the wrong body” story, or a Mulan-style passing narrative, Ikeda acknowledges a wide range of trans experiences, and the complex ways in which trans experiences are socially constructed, and historically specific, intersectional, and, above all, personal.
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SHY, Stardust, disability, and the double empathy problem
Shy’s embrace of a Double Empathy Problem framing reveals larger tensions in the struggle for autistic self-determination, both allowing a deeper understanding of the process of Stardust’s self-conception and also revealing the limits of the mainstream culture’s understanding of “empathy.”
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Giant Robots Against Colonialism: Mobile Suit Gundam: The Witch From Mercury’s Shakespearean roots
Mobile Suit Gundam: The Witch from Mercury is a show that does not just wear its inspirations on its sleeve but builds on them. One such reference point is William Shakespeare’s The Tempest, from which G-Witch borrows three characters: Prospero, Ariel, and Caliban. In doing so, G-Witch spotlights colonialist readings of the play, envisioning a world where the colonized can break away and heal from oppression by joining together.
