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Parade Parade is part of a long tradition of media, especially pornographic media, that fetishizes trans and intersex women as victims and perpetrators of rape. It is also somewhat unusual in its focus on lesbian and long-term relationships.
Because we marginalized women are considered too unsanitary for the societies we live in, we are forced to look to the margins of media for representation, even if it also dehumanizes us. The narrative violence of the film, to those of us who relate to Kaori’s position, is not at all unlike how the world outside of Parade Parade treats us trans and/or intersex women.
Fordola and Yotsuyu’s treatment and ultimate fate in the story are starkly different, and in this way they clearly expose underlying gendered biases in how their writers think about Evil Women(TM) and who “deserves” redemption in narratives about trauma and war.