Hi Score Girl – Episode 1
This first episode sets up a surprisingly sweet nostalgia piece; a love letter to the bonds that form between people thanks to games.
This first episode sets up a surprisingly sweet nostalgia piece; a love letter to the bonds that form between people thanks to games.
I am extremely annoyed that I had to stop watching Sirius the Jaeger to write this review, which gives you a real good idea of how much I enjoyed this premiere.
Summer season—happened so fast! We hope you all had yourselves blast, ’cause a lot of our staff sure did.
Vrai, Caitlin, and Peter look back on the Summer 2018 season!
Dee, Caitlin, and Peter check-in on the Summer 2018 season!
While it’s a perfectly watchable experience, I’m not sure I’d go so far as to call it a hidden gem.
The summer shows have had some time to stretch their wings, so let’s see how they’re shaping up!
We Rent Tsukumogami is a historical fantasy based on Shinto-inspired Japanese mythology. It has cute spirits, a great aesthetic, and fun facts about daily life in Edo. It is so squarely in my wheelhouse I was halfway around the bases before I even pressed “play.” So why did this first episode leave me lukewarm?
A new season is upon us, which means fresh new anime hot out the oven! There are still a few stragglers this season, but now that we’ve gone through the main premiere rush, it’s time to get them all in one room together.
No, no, no. I refuse to be nostalgic for this.
Theater is a harsh, competitive world. Revue Starlight takes that experience and makes it literal.
We’ve entered what I like to call the “shame shadow” of premiere season.
Take an American frat house movie. Combine it with a Japanese gag manga. Now make them both profoundly unfunny. If you can imagine that, then congratulations! You’ve just seen the premiere of Grand Blue Dreaming.
This is an anime based on a Square Enix game. I suspect that will tell many of you, very quickly, whether or not to proceed further.
I’ll level with you, readers: I’m always a little bit on my guard when war anime come across my desk. I’ve reached an age where I personally don’t have much time for Cool War Hero stories, and we’ve reached an age as a species (again) where it’s time to start being very critically aware of how our media paints nations with bloody, imperialist histories.
Holmes of Kyoto is a difficult premiere to pin down. Based on a series of mystery novels, it has the laid-back tone of an iyashikei (soothing) series, the soft-touch aesthetic of a slow-burn romance, and the content of Antiques Roadshow. Full marks for originality, I s’pose?
I don’t think I’ve ever seen a show try this hard and so blatantly to be something else—and boy howdy, does Bakabon wanna be Mr. Osomatsu.
While not completely devoid of character, this is a show clearly proudest of its schtick—meaning it’ll probably be a love it or hate it venture for many.
Lady Luck looked down and smiled upon me, surprising me with a supernatural mystery series complete with spunky female foreign-exchange students, Gatling-gun-toting waiters, and kickass great-grandmas. Oh yeah. This one has my name scribbled all over it.
Like any comedy, Asobi Asobase won’t be for everyone. But comedy that celebrates the crude side that resides within all of us, including teenage girls, is something that I’m always glad to see more of.