Commentary vs. Snuff: Sex, violence, and despair in Danganronpa
Throughout visual culture all over the world, sex and violence against women are constantly intermingled.
Throughout visual culture all over the world, sex and violence against women are constantly intermingled.
Due to the cultural dangers around me, along with my own family’s reservations (my wonderful mother excluded), Yukio Mishima’s Confessions of a Mask was a novel that, to me, reflected the violence and anxiety that society perpetrates against LGBTQ people.
Fantastical fiction is an ideal space for working through complex real-world issues using the frame of allegory, metaphor, and a little bit of magic. Yurikuma Arashi is one such series, a step detached from reality but with something to say about real-world problems, specifically about homophobia and the societal stigmas queer women face.
With a myriad of of erotic games in existence—many of them featuring questionable consent or sexual assault—both the writing and gameplay of Cute Demon Crashers refreshingly embody the core principles of sex positivity, making for a uniquely positive player experience.
Experiencing abuse from a young age, lacking a healthy vision of how to love and be loved, can resonate through a victim’s life for years, even decades. This is explored thoughtfully and compassionately in the classic shoujo manga Fruits Basket.
Through its raw, emotional, sometimes-frustrating narrative, Fushigi Yugi uses isekai trappings and the relationship between Miaka and Yui to explore common sources of desire and anxiety for teenage girls along with their potential consequences, both positive and negative. By tapping into the mentality of its audience and providing reassurance in its conclusion, Fushigi Yugi serves the function of a modern fable or fairy tale.
Darling in the FRANXX purports to have something to say about sex, gender, and adolescence, but as illustrated in the “battle of the sexes” plotline in the episode “Boys x Girls,” thus far it only rehashes outdated stereotypes and an antiquated “boys will be boys” attitude.
Full of big adventure and bigger emotions, Fushigi Yugi scratched an itch I hadn’t even known I had: for fantastical, adventure-driven comics and TV shows that placed as much focus on character relationships and emotional turmoil as they did on action and intrigue, and treated those feelings not only with respect, but as powerful forces essential to the plot.
During the Chatty AF Fushigi Yugi watchalong, Caitlin, Dee, and Vrai would frequently chat privately about the show. While watching the OVAs, the conversation turned to the relationship between a pair of supporting characters, which in turn developed into a spontaneous discussion about age-gap romances in fiction. As the subject is a complicated one (and particularly topical given recent anime), the team thought it worthwhile to expand it into a roundtable and publish it for the site.
Last year, Yuri!!! On ICE took the anime community by storm. Whether it was from the passionate portrayal of figure skating, the queer romance, or the sincere way it cared for its characters, it resonated with many. I’m no exception.
In FLIP FLAPPERS Episode 5, Cocona and Papika are thrown into a world that combines Class S, a genre of sweet yuri romance, with horror. Now, what in the world could that strange combination be trying to tell us?
To break a bit from the usual “Versus” model, I wanted to explore three different kinds of sex-focused narrative models—exploitative fanservice, bawdy comedy, and honest explorations of sexuality—all found in a single show: Miss Kobayashi’s Dragon Maid.