In REAL, Takehiko Inoue uses three similarly aged young men to portray different aspects of physical disability. By looking at these characters and their interplay, we can delve further into some of the ways REAL succeeds and fails at portraying disability.
No media exists in a vacuum, and justifying a trope doesn’t stop it from playing into broader harmful trends.
When this season started out, Clean Freak! Aoyama kun had a huge uphill battle to win my respect. But it won me over. Aoyama-kun is good. And it’s stayed good, mostly due to the compassion it shows for its ever-expanding ensemble cast.
