As an Epileptic, I’ve been very outspoken about my opinions on the increased use of strobe lighting effects in American cartoons. Yet people have accused me of being a hypocrite: why do I continue to love Pokémon? My response often surprises people. That, in my personal opinion, morally speaking, the animators were not responsible for what happened. That Porygon was, in fact, innocent.
Satoko and Nada’s friendship is a great example of why friendships between women with disparate lives are necessary, as the two embrace their differences despite their vastly different backgrounds, protect each other, and offer one another a semblance of family when they’re far from home.
Twenty years ago, I fell in love with the Pokemon anime. Now, I think I can finally tell you why: why this strange, silly, sincere show mattered. How it filled the space between “boy stuff” and “girl stuff,” treated both as having value, and challenged why there was a division in the first place.
The very idea of being able to live on my own, make my own decisions, and grow based on my experiences outside of the stipulations placed upon me by my small town seemed like the ultimate dream. After seeing Kiki leave her parents and fly across the water at midnight with her little red radio, I thought that I could do the same.
The Team Rocket trio have never been your typical villains. So perhaps it’s no surprise that their special backstory episode defies as many conventions as they do, taking the classic team origin story and turning familiar gendered archetypes cleverly on their heads.
Through Only Yesterday and The Tale of Princess Kaguya, Takahata Isao interrogates the patriarchal entitlements that strangle Taeko’s and Kaguya’s expressions of girl- and womanhood.
Released in Japan in 2004, Howl’s Moving Castle remains one of Studio Ghibli’s classic films. But to anyone who was inspired to read the book it’s based on (written by Diana Wynne Jones), the film reads less like an adaptation than a complete reimagining. One of the biggest changes is the character arc of our protagonist, Sophie Hatter.
When you grow up with a series where the characters don’t age, the story might not change, but you will. Over time, Ran’s experience in Case Closed became disturbingly familiar to me in my teenage years as a Black Muslim man living in a city that used to be the second-largest slave-trading port in France.
Osamu Tezuka is often called “the Godfather of Manga.” But if there’s a Godfather of Manga, does that mean there’s a Godmother of Manga, too? There is, in fact! Her name is Machiko Hasegawa and she’s profoundly influenced animation and manga with her most popular work, The Wonderful World of Sazae-san.
ClassicaLoid may be first-and-foremost a wacky comedy, but it’s also proven itself adept at quietly challenging cultural norms about gender and sexuality. Guess it’s true you should never judge a book by its cover—or a series by its goofy premise.
In episode 8, “Girls’ Day Out,” the ClassicaLoid ladies take some time off to unwind and open up. With humor, subtlety, and a dash of vinegar, their time together becomes an exuberant exploration and celebration of what it means to be a girl—and their answer turns out to be a happily inclusive one.
