Anime Feminist Recommendations of Fall 2021
In which a late-game contender for anime of the year makes its appearance!
In which a late-game contender for anime of the year makes its appearance!
Dee, Vrai, and Peter look back on the Fall 2021 season!
Dee, Vrai, and Peter check in on the Fall season, from plucky princes to rollerblading tokusatsu heroes.
Blade Runner: Black Lotus offers up a gorgeous premiere that has a somewhat go-nowhere premiere filled with tidbits that built the world, but don’t feel compelling.
This is a Fall of firsts–including the tentative death of Netflix jail (kinda). Join us as we check in on some hotly anticipated adaptations.
Despite all the grief this show has attracted over the years, mostly by people appalled a show could be marketed as explicitly queer and then the relative media silence that relegated it mostly forgotten since it was announced 2017, High Guardian Spice debuts as a comfy and, above all, enjoyable show.
A cute normal boy meets anxious girl comedy that’s definitely gonna be a romcom that will satisfy folks looking for a charming slice of life this season, with a few issues and concerns regarding Netflix’s handling of the subtitles.
This fall brings passion projects by big-name creators, long-awaited adaptations, and some unexpected surprises!
Does a bromance await Fiction’s Greatest Detective and Greatest Thief? Is Watson still out there hoping his beau will save him? Is Zenigata going to get, like, supes jealous about this new inspector honing in on his man? Stay tuned to this season’s most stylish fanfic to find out!
Prince Bojji is deaf and dreams of becoming a great king someday. Despite the ridicule he gets, he continues to put a smile on his face and follow his dreams.
Deep Insanity: The Lost Child tries to be something more than the sum of its parts, but never quite reaches the realm of “good action anime”, despite trying its level best to do so.
It’s a by-the-numbers mish-mash of heavy-handed homages that also has cute mini-mecha designs and a fair bit of heart. It sits squarely in the subgenre of “rah rah otaku culture” that’s remained a crowd-pleaser ever since Otaku no Video pioneered it in the 80s—people love to see themselves on TV. For mechs this season, you could very much do worse.
This series has all the ingredients to be a competent feel-good office anime, but it’s immediately soured when I have to acknowledge the fact that Futaba exists.
If you’re in the mood for a very safe, very standard, CGI shonen anime that tackles every trope in the genre, than look no further than SHIKIZAKURA, a show with the potential for potential… I think.
There is a lot of love for the arts in this series and it doesn’t shy away from the difficulties of the creative process either.
Embrace the darkness, entities of the night: Visual Prison is all fangs, a few bites, and loads of visual-kei idol boys, all mashed together into a premiere that certainly has appeal, but definitely not in the plot department.
This premiere isn’t keen to rush into the heart of the action and show Will being a cool badass holy warrior. It’s content to draw us in slowly, focusing on the relationship between Will and his undead guardians.
Inside Taisho Otome Fairy Tale there are two rom-com wolves.
A father-daughter adventure story off to an incredible start.
There are two major things that Platinum End has in common with previous Ohba/Obata manga. One, it captures the feeling of railing for the first time at an unjust society in a way that rings powerfully true if you’re in Shonen Jump’s 13-17 target demographic (physically or emotionally) and then gets increasingly shaky with added age and perspective; and two, it hates women just so very much.