Caitlin, Peter, and special guest Natasha meet in a hotel room during Otakon 2018 (with witnesses) to deliver a postmortem on the high-profile A-1/TRIGGER co-production DARLING in the FRANXX.
All art, from cookie-cutter crime dramas to Nobel prize-winning novels, reflects the views and mores of its creators and the culture they grew up in. Whether intentional or not, DARLING in the FRANXX touches on one of Japan’s current political hot topics: the role of family and childbirth.
Darling in the FRANXX purports to have something to say about sex, gender, and adolescence, but as illustrated in the “battle of the sexes” plotline in the episode “Boys x Girls,” thus far it only rehashes outdated stereotypes and an antiquated “boys will be boys” attitude.
This has the potential to challenge cultural and gender norms. It also has the potential to be a queer-erasing mess of cliches. And while I want to believe it’ll be the former, I can’t shake the feeling it’ll wind up being the latter.
