BOFURI: I Don’t Want to Get Hurt, So I’ll Max Out My Defense – Episode 1
MMO meets iyashikei in a laid-back premiere that’s profoundly fine.
MMO meets iyashikei in a laid-back premiere that’s profoundly fine.
An escapee from the edgelord days of 2005.
The rest of the winter season is going to have to work hard to keep up with this one.
A sci-fi detective thriller that’s a touch derivative, but stylish and restrained enough to check out if you’re a fan of the genre.
Don’t let the unwieldy title fool you; this one is welcoming both to returning fans and new viewers alike.
Hey, I get to review a Doga Kobo series that doesn’t make me want to dig out my eyeballs out with a headphone jack!
Even with the glossy new coat of paint, this is still unmistakably a gritty ’90s story.
While the writing could stand to take itself a little less seriously, this is a surprisingly good throwback to 2000s-era mashups of noir and cyberpunk.
Pack it in, folks. Nothing this season is gonna be hornier than this one.
Don’t worry, Mile. Your series achieved what you could not: it averages out its charming elements with some of anime’s laziest fallback jokes to reach a grand total of “basically okay.”
This might be the best premiere of the season: a tense, slow-burn legal drama that viciously punctuates its own simmering tension in the final moments.
If you’re into male idol series, this is not offensively bad.
A shounen series seemingly aimed toward the same middle-grade sort of audience as Little Witch Academia, Iruma-kun feels perfect as a bit of fall sweetness.
It’s been a while since a premiere has so systematically robbed me of every gesture of optimism I tried to offer it.
The bait Azur Lane was putting out to attract a certain kind of viewer tuned me out of any meager charms it might’ve had to offer, long before it doubled down with carefully rendered shots of an eight-year-old’s wet shirt clinging to her skin.
This episode has one joke.
There will always be a place for episodic supernatural action series in anime, and BEM (mostly) has a solid aesthetic going for its main trio of monster-hunting monsters. Unfortunately, this episode spends most of its time with the least interesting of them.
Demon Girl is definitely cloyingly cute, but if you’re in the market for low-key slapstick with buckets of shipping fodder between the two leads, this isn’t half bad.
The show is rough around the edges visually, complete with big hair and wonky eye-to-face ratios straight out of 2004, but the isekai story is fresh air after season after seasons of noxious incel pandering and slavery apologism.
You know how Netflix put out that movie Bright back
in 2017, and it was really well-received and everybody liked it? Oh, that’s not what happened at all? Cop Craft might have a problem then.