Oshi no Ko spends a few episodes examining the harsh way that people who participate on reality TV can be treated, especially online. In this way, it shines a light on an issue that people who don’t watch much (if any) reality TV have probably ever considered. But what does the way it goes about this mean for its overall message?
In the hands of a writer who isn’t so brazenly disinterested in writing them, the women of Death Note—Misa, especially—easily have the potential to be the most interesting characters in the deeply iconic series. But as it stands, they’ve been massively shortchanged by writing that presents plenty of fascinating story elements for them, but that never get explored.
For better or for worse, there’s nothing quite like Vampire Knight out there. Revisiting the series today—about 15 years after its release—reveals not only a lot of its shortcomings, but a lot about the cultural context in which it was released.
